From sheet to object.
Not sent off into an invisible supply chain. Most of what you see starts here — between sheets of acrylic, metal, machines, drawings, mistakes and a lot of “what if we tried this?”
Acrylic, brass, mirror, MDF. We pick the material for what it does with light, not what's cheapest.
Laser and CNC. One clean pass where we can; test cuts on offcuts where we can't.
Screen, UV and etch. Colour goes on — or, with acrylic, all the way through.
Flame-polishing, brushing, deburring. The part nobody sees and everybody feels.
Standoffs, folds, wiring, and a fair amount of quiet swearing.
Lights get switched on. Clocks get set. Wonky things go back to step 02.
Corners first, always. Then it leaves the studio and becomes yours.